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Knight's Move
by
Harry Buschman
Clyde looked out the window of the train as the lights of the
houses flashed by. It was a chilly Friday evening in October with a long lazy
football weekend ahead. The train slowed down for the last local stop at Floral
Park, after that it would be express all the way to Plainview. Exactly 29
minutes.
Clyde was a man of color. It is incorrect to call him a black man because he is
not. He was called "Duds" in the army. He was the color of Milk Duds -- a light
coffee color, which is, I think a fine color for a man to be. Except for his
color he looks like a man of means today. He wears a three piece suit and
carries an attaché case. You will rarely find him without the Wall Street
Journal under his arm.
Off course he wasn't like this in Vietnam. There he was only "Duds," the
Adjutant's assistant and probably the best chess player in the regiment. He used
to say that chess saved him from a life in the gutter. "It teaches you to think
ahead," he would say. "Take responsibility for your moves -- helps you to think
what'll happen if you do this and 'life' does that."
"Chess is like life. There's a beginning, a middle and an end. If you're going
to to make it to the end you have to make the right moves in the beginning."
The men never had a chance against him at chess, and in the end he stopped
playing with them, he said it was bad for his game. He played by mail. He had a
dozen or more games going with people all over the world. Life was a game of
chess to Clyde, a complicated game and one that he was determined to win.
The war had its moments of terror, but they were few and far apart. Ninety-nine
percent of the war was waiting and training for that one percent. There wasn't
much to do and when the men got together in a town bar or in the barracks late
at night, they talked about home. Clyde came from New York, and the men always
wanted to hear stories about the 'big' city. He never let them down. If Clyde
ran out of stories to tell, some other New Yorker would take over, then they'd
pass the baton back to Clyde. The men got to know a lot about Clyde's life in
the housing projects, his single mother and his 'uncles' that came to stay for a
time, then left and never returned. In turn, he learned about life in white
suburbia where basketball was played on highly polished hardwood floors.
"I'm not going back there," he would say again and again. "I'm gonna be somebody
-- and I'm gonna live in a house with windows all around." He would slowly beat
his fist into his hand and look away. "You guys never lived in the inner city. I
slept in a bed with four brothers -- I never had a new pair of shoes. The
project ... yeah, the project. All you had was your own body.
The thing that scared Clyde was something happening that wasn't part of the
game, something outside his control. He could close his eyes and play a game of
chess with himself from beginning to end and never lose track of the moves --
planning them five or more steps ahead. There were a finite, (yes, he used that
word often) number of responses to a move and he knew them all. "But what scares
me," he said, "suppose I step on a land mine or a shred of shrapnel ricochets
off a brick wall and knifes through my spine? How can I figure on that?" That
was the question to which he had no answer, "How do I win the game if life
doesn't play by the rules?"
Luckily for him the question never came up. The Marines sent him home before the
war was over. The war had been winding down for more than a year and the men
were convinced that the public was sick and tired of seeing emaciated Vietnamese
children crying in the street.
In time the ghosts of Vietnam grew quiet and there were long stretches when
Clyde forgot being there. He came home to find his family scattered. One brother
shot and killed in an attempted burglary, another one doing time in Attica, a
third missing entirely. His mother moved to Atlanta. The old project looked
smaller and dirtier than ever. He didn't want any part of it. He landed a job in
a brokerage downtown and met Cindy, a white girl going to NYU. Inside of two
years they were married and living in an integrated community in Plainview, Long
Island.
<><><>
With a contented sigh Clyde opened his briefcase and pulled out the Wall Street
Journal. Life was good. He thought the life he and Cindy led in Plainview was
better than he ever thought it could be. There was no way to compare it to his
life in the project, it was like two different worlds. Short of playing
basketball or football a black man couldn't expect a better life than this. He
opened his Wall Street Journal to the editorial page and before reading he
noticed the man next to him, (looked like a 40k man) give him the once over.
Yes, life was indeed very good.
He glanced down the length of the car before burying himself in the paper. It
was a habit he couldn't break. How many black faces would he see? There were
more now than there were a year ago. Halfway down the car he noticed two young
girls sitting together, one white, one black. They were laughing secretly as if
sharing a joke. "Did they work together? Were they neighbors?" Their closeness
was plainly evident. "How things have changed." He thought back to his childhood
in the project. White people were a complete mystery to him -- people he only
saw on television; as alien as creatures from another planet.
The man next to him lost interest when he saw the editorial page opened in
Clyde's lap, settled himself deeper in his seat and closed his eyes. From time
to time Clyde would raise his eyes from the Journal and check on the two girls
who still shared their secret between them.
One by one passengers got to their feet as the train slowed for the Plainview
station. Clyde put his newspaper back in his attaché case, clicked it shut, and
stood up. He noticed the two girls were standing as well. Funny, he thought, he
had never seen them before. Whatever started them laughing before had simmered
down a bit, but one would look at the other and the giggling would begin again.
The doors hissed open and the train slowly emptied. Everyone got off the train
in Plainview, but no one was in a hurry. The doors would remain open until the
conductor and the engineer walked the length of the train to check that no one
was left aboard -- it was Friday evening and some of the three Martini lunch
crowd might still be asleep.
Clyde walked down the stairs to the waiting room, he opened his briefcase,
withdrew the Wall Street Journal and dropped it in a waste basket. He noticed
the two girls were still talking by the street door. They obviously hated to say
goodbye until Monday. Just as he reached the exit, they broke apart and left,
going in different directions, the white girl quickly walked in front of Clyde
and he held the door for her. A whiff of scent, a clattering of her heels and
she was gone.
It was evident she was headed in the same direction as he, and because of that
Clyde wondered why he hadn't seen her before. A new neighbor perhaps -- or maybe
a visitor for the weekend. He thought it might be a good idea to slow his pace a
little and let her walk ahead of him, it was dark now and he didn't
want to alarm her. The clicking of her heels was the only sound in the street.
She was invisible in the dark until she walked under a street lamp, then she
would become brightly illuminated. He imagined he must appear the same to her.
When she reached the corner he noticed she picked up her pace a little. She
turned her head and looked back at him from time to time. Her pace quickened
even more and the rhythm of her heels was sharper. In a flash he read her mind
-- "I'm being stalked by a black man!" Under the street lamp he could see her
eyes were wide with fright, then she began running. Ridiculous! He thought back
to his chess games -- this was an improper response. How did he let himself get
into such a situation? He wanted to make her understand she was in no danger,
they were neighbors! He lived here too! But he couldn't change the facts -- they
were elemental. How many times had he seen it happen back on the mean streets of
the project .... in lobbies ... elevators ... the black man was always someone
to be afraid of. He should have known this would happen.
Suddenly it did happen. His ears caught the interruption of her stride and the
scrape of her heels. She tripped and went down. He heard the contents of her
purse spill and scatter on the sidewalk. Then she screamed! Her voice was loud
and it echoed along the quiet street. "Don't hurt me! Oh, God -- please don't
hurt me!" He wanted to run to her, but checked himself as a front door opened
and a shaft of light illuminated the girl lying in the street.
"What the hell's goin' on out here? You in trouble miss?"
"That man," she cried. "That black man!"
Clyde turned and ran. There was no way to argue, no way to explain -- for the
next few moments he was more frightened than he had ever been in the project.
The thin veneer of equality that seemed so reassuring only a moment ago was
stripped away, and he might as well have been a Southern black a century ago,
running from the Klan.
He stopped running, thinking it would be suspicious if someone saw a black man
running down this quiet residential street. It would be better to walk -- walk
quickly, but walk. But where? He couldn't go home. He'd have to pass that girl
again. Lord knows what they were doing now; dialing 911 probably. "He was a
black man," they'd say, "he was wearing a black coat and a black hat. He carried
something black in his hand -- you can't miss him." Then what? The police would
pick him up, walking alone on this dark suburban street. "Mind
holding it right there, fella? I wanna see you put both hands on top of your
head."
The lights of the train station appeared ahead of him. He walked quickly back
into the station -- he could call Cindy from the waiting room.
Except for one man asleep on a bench the station was deserted. He could hear the
slow metronomic click of the large wall clock and the muttering of the ticket
clerks behind the closed ticket window. Clyde walked to the pay phone and then
paused for a moment to look at the man curled up on the bench. He was a black
man ... no coat ... no hat. An idea came to him. Should he? He could tell Cindy
his coat was stolen that afternoon. He put a ten dollar bill in the side pocket
and covered the man gently with his coat. As an afterthought he removed his hat
and placed it at the man's feet. It was a way out. Maybe not an honest way, but
it wouldn't make things any worse than they were ... and after all he had been
through ... he came so far ... he had so much at stake ... no one would ever
know ... he walked back to the phone and dialed Cindy.
©Harry Buschman 2002
(2040)
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